Criticism of Looper. In the future time travel are possible, but are prohibited. A criminal organization, manages to get hold of a time machine, and sent to the past (thirty years ago) to the objectives bothersome, that are eliminated by assassins called Loopers. Of Rian Johnson enter in the area in the criticism of Looper. A man of the city found me, gave me a gun and gave me back what was mine” (Young Joe). We are faced with a autntica piece of cult, and experimental cinema. I hope that you had a few. I like to learn of good movies. Greetings friend and see if you. The plot: Looper, “the killer of time”. Joe (Joseph Gordon - Levitt) is a young man who, years ago, he was recruited by an organization of killers led by a man brought from the future named Abe (Jeff Daniels). In the 2. 04. 4, the time travel does not yet exist, but in 3. All but one, that is used by the organization to send to the past (thirty years ago) to the objectives that you want to delete, since in the future, murder is logistically complicated, because each human being is tagged with a code at birth. The assassins of the organization, mostly young and marginal, they are known as Loopers. Its work is carried out with a weapon nicknamed the blunderbuss, a powerful short-range weapon that annihilates the targets that come sent from the future, gagged, with her face covered by a white hood and a backpack full of silver, which is the payment that the Loopers receive for each deletion. To control that the Loopers carry out their work effectively, Abe has to charge to a relentless army of men called Gath, of all of them two stand out: Kid Blue (Noah Segan), a tare, that he blew his own foot juggling with his revolver... Jesse (Garret Dillahunt), an expert marksman and proven tracker of people. Joe, enjoy the high life that give you the huge amount of silver that charges for each murder, not questioning their work, and their existence is limited to kill their targets when and where they send you, eat in the same cafeteria, where he has a special relationship with Beatrix (Tracie Thoms), to maintain a relationship with a dancer and single mom named Suzie (Piper Perabo) and intoxication with a kind of drop eye with effects similar to those of LSD. The goal of Joe is to save enough money to go to France to live the rest of their days before it is removed your loop. To delete your loop means to remove out of the midst of the Looper turn, sent his version thirty years for this same the delete, so you receive a generous payment in gold, and is fired from the organization, knowing that in just three decades, some men will go to pick you and sent back to the past to a certain death. In principle, the deletions of the loop are very sporadic, but they soon start to become increasingly habitual, until the best friend of Joe's, Seth (Paul Dano), who possesses telekinetic powers, leaves to escape to his self of the future, and go desperate to the house of Joe for help, telling the story of a man nicknamed The Founder that wants to remove all traces of the loopers. Despite the help of Joe, Seth is hunted, and not very late the same Joe receives the visit of a goal that gets to the point of meeting without a hood, and the look in the eyes of the young Joe, this, sees himself thirty years older in a version played by Bruce Willis. If one has seen previous proposals, such as director Rian Johnson, you probably already should know that when he stood behind the camera and the script for ‘Looper’ not only are we going to deliver a vehicle of science fiction within the standards of the genre, but I was going to go beyond. Perhaps, in a step failed (time will tell) towards goals that are too ambitious, but also tremendously risky and worthy of a bravery film that will see very little in cinema today. Looper’ presents to us, on the one hand, a sci - fi purely commercial vocation, and mainstream travel in the time with a few action scenes (the least of which the trailer may promise) of authentic luxury and a stark violence: attention to the moment that Old Joe Willis - wield two automatic weapons and begins an indented brutal. Time that from now will form part of the sequences most bestial of the filmography of the actor, and that will make the fans of the series ‘Jungle of glass’ (John Mc. Tiernan, 1. 98. 8) jump literally out of their seats, entranced by what his eyes just saw. Before, we are witnessing another heartbreaking moment, that is the one that has to do with the appearance of an individual called “The Doctor”, and that I will not detail, because it is something they must see and discover yourself...Now, we also have a history marginal that seems secondary and ephemeral in the plot, but then you will discover vital in your future: the ups and downs of life in a series of uprooted social, in a society with a bleak and consumed, where the homeless have multiplied exponentially and the drugs are available as today you buy aspirin in the pharmacy. The central axis of all these stories, and sub - frames, is the Joe Joseph Gordon - Levitt, a young boy who was abandoned by his mother a drug addict and vagrant, and that shows a very visible lack of affection that tries to limit giving in to the drugs and trying to establish a relationship doomed to failure with a single mother, which gives life a uninhibited and fleeting Piper Perabo. Posts about Sci-fi written. But to have developed a conscience. Temple (2017) Online. What is certain is that there is something extraamente seductive that prevents remove the eyes. Reviews of cinema of terror, cine fantstico, articles on cinema, movie news. If one has seen the. Looper 2012 has the rditos sufficient as for the time the site as a tape of worship, to know. Because what works in cmic, there are times that it does not work in the film industry. Tags: Counts, Sci-fi. When your to Gabriel takes Zazie to know the Eiffel Tower, it ends up disappearing at the hands of a group of tourists who take for their guide. From ah. So far this new century, there has been an explosin de cine fantstico. A piece of worship that has nothing to do with. Concepts of sci-fi.